The philosophical study of art, otherwise known as
aesthetics, is a deftly debated topic that concerns ones individual
interpretation of beauty. Does one define an artworks beauty by its color
schemes, geometric symmetry, or historical context? Do they seem to focus on
its formal, abstract meaning and seek to invoke a rational interpretation? If
so the aesthetic theory of formalism most closely relates. However if one
decides to interpret art with not only a rational explanation, but instead
allows the viewer to transcend common emotion and imagination, then they could
establish themselves as a romantic critic. So romanticism and formalism
are two contrasting theories that attempt analyze art, which proves an
immensely difficult task. It is like analyzing the artist’s soul on the canvas.
That being said, and drawing from
the cliché saying “Beauty is in the eye of the beholder”, I must certainly side
with romanticism. Art should not be judged superficially. There is not one, specific, figurative
meaning that every each person sees. The experience is different and unique
depending on the viewer—and it is most often transcendent. It goes beyond a
formal, disconnected, viewpoint. Art inspires emotion and creativity that sets
the mind apart from reality. There are also no boundaries when dealing with
romanticism. One person can find a picture of a storm chaotic and uncertain
while another is awed and inspired from it. It is all relative, mysterious
even.
When taking into account which theory
explains more facets or works of art than the other,
or which has a larger explanatory breadth,
romanticism would be most plausible. Not only does romanticism apply to many
forms of art including literature, poetry, films, and music—but it is able to
interpret so many more pieces than formalism. Not every picture is painted
because it looks pretty—it is left open for interpretation. Romanticism allows
for that where as formalism neglects to include these open and irrational painting
analyses. Only a select few pieces will be in a gallery purely for the way it
looks, even it if it has a metaphorical meaning, it is much too simple. They do
not invoke a larger feeling. Also it must explain each and every individual’s interpretation.
Additionally when
taking into account which goes into greater detail, or which has more explanatory depth, it must also be romanticism.
Romanticism must include the viewer’s feelings and explain their complicated
irrational thoughts, while also taking into account texture, shape, concavity,
lighting, color, depth, detail, etc. Romanticism does both jobs.
So in contrast romanticism defies simplicity, leaving formalism with a much less intricate approach.
Romanticism refuses to let one explanation describe a painting. The point is
for there to be endless ways to explain how the painting makes us
feel-depressed, happy, lonely, and amazed. It may even possibly pull you back
into the memories of childhood, your college graduation, or your wedding day. The
formalistic approach, whether abstract or figurative, allows for little “thinking”
to be done.
Finally, what theory that is used most in today’s society
would have to be romanticism. Not only is it taught in schools across America,
but romantic works are remembered and praised. For example Van Gough’s The
Starry Night is a piece of art that invokes feeling and emotion out of the viewer.
In ancient and medieval times the basis of artwork only had to do with outward
beauty. Now, however, art is meant to be analyzed and looked into. There is no
wrong answer anymore, back then they were not as accepting to difference. Thus this
makes romanticism the more conservative
theory of our era.
1. Romanticism and Formalism are the
most plausible explanations of the interpretation of art.
2. Romanticism has more explanatory
breadth, Explanatory depth and conservatism, whereas Formalism has more simplicity.
3. Therefore, Romanticism is the
most plausible explanation of the interpretation of art